UCT’s Intellectual Property Unit strives to add an African voice to the global debate on IP-related issues. Our focus is on examining the link between IP, innovation, development and public policy, taking into account the needs of society, rights owners and consumers. Our vision is to be a leading voice in realising a continent where there is an open exchange about African ideas, creativity and innovation, in pursuit of sustainable development. We promote research, teaching, and learning in IP through holistic, balanced and open approaches, in order to stimulate innovation that drives development. Our core values are integrity, inclusiveness and relevance. We believe that South Africa has a leadership role in defining IP challenges in emerging and developing countries. We develop our programs through dialogue, research, debate and capacity building.
My Engagement with the Hillcrest Aids Centre Trust in KwaZulu-Natal, South Africa
As part of my on-going project as a Queen Elizabeth Scholar (QEScholar) with Open AIR, I have spent the past three months on a research placement with the Hillcrest Aids Centre Trust (HACT). This placement has significantly reshaped the focus of my research, investigating the economically empowering and impactful work being undertaken by the HACT for poor, rural Zulu women artisans.
By Desmond O. Oriakhogba
The 38th session of the World Intellectual Property Organisation’s Standing Committee on Copyright and Related Rights (WIPO-SCCR) recently took place from 1 to 5 April 2019 in Geneva, Switzerland. As gleaned from its agenda, the session was convened to continue the negotiations among WIPO member states towards formulating an international normative instrument for copyright limitations and exceptions (L&Es), that goes beyond the Marrakesh Treaty to Facilitate Access to Published Works for Persons Who Are Blind, Visually Impaired, or Otherwise Print Disabled (Marrakesh VIP Treaty). Thus, the session placed particular attention on L&Es for persons with disabilities (other than blind, visually impaired and print disabilities), libraries, archives and museums; for educational and research institutions. Continue reading
On 20 May 2019 the World Intellectual Property Organization (WIPO) will host the second International Conference on Intellectual Property (IP) and Development. The theme for this year’s edition is ‘How to Benefit from the IP System’. The conference offers a platform to share knowledge and experience on IP and development. It draws speakers with expertise in different areas of IP from industry, government and academia. The issues to be discussed include how the IP system benefits innovation, creativity and global issues and the challenges and opportunities of the IP system in the world today. These topics will be discussed in four panels moderated by deputy and assistant directors of the different sectors at WIPO. The Keynote Speaker is H.E. Ms. Amina C. Mohamed, the Cabinet Secretary in the Ministry of Sports, Culture and Heritage in Kenya. Registration for the international conference is available here and a live webcast will be available for those who cannot attend the conference in person.
The Intellectual Property Unit (IP Unit) at the Department of Commercial Law, University of Cape Town invites applications for a Postdoctoral Research Fellowship in the area of Intellectual Property Law. The selected fellow will become part of a new project: One Ocean Hub.
Scope and Purpose
This fellowship is intended to support the One Ocean Hub project by contributing towards the understanding of various intellectual property aspects related to the ocean exploration, exploitation and management. Continue reading
by William New – first published for infojustice.org under Creative Commons Attribution-4.0 International License.
A broad coalition of creators and access to knowledge advocates have petitioned the President of South Africa to urgently sign the Copyright Amendment Bill before him. The petition (https://www.re-createza.org/) is endorsed by organizations representing over half a million South African creators, teachers, people with disabilities and others who rely on copyright access and protection. It calls for the President to sign the Bill “without delay,” including to enact into copyright law “a transformative vision for a more equal and just society.” The petition is the latest step in a decades long campaign to enact development- focused copyright reform that is sensitive to South Africa’s particular social and economic context.
At issue is the 44-page Copyright Amendment Bill (as at Feb 2019) (before National Council of Provinces). https://libguides.wits.ac.za/c.php?g=145331&p=6597157
South Africa has spent over a decade in a sometimes arduous process of developing a Bill to improve and update its national copyright law to help local creators benefit from their works and encourage access to works to spark creativity and serve public interests. The original aim of the process was to address the situation in which famous South African artists “die as paupers” because publishers, labels and other intermediaries are able to extract most of the rent from uses of their works without paying creators adequately.
It is that day of the year again! The World Intellectual Property (IP) day is being celebrated the world over. According to the World Intellectual Property Organization (WIPO), the theme of this year’s celebration is “Reach for Gold: IP and Sports.” We are excited about this year’s theme as it affords us the opportunity to reflect on the role of IP for the development of sports, especially the game of football. IP generally deals with “creations of the mind: inventions; literary and artistic works; symbols, names, and images used in commerce.” There are several types of IP that impact on the sporting world, among which are: copyright, trademarks, patents, designs, broadcasting rights and trade secrets. A healthy and fair balance between incentivising innovation and enabling access to its fruits is what IP ultimately seeks to achieve. This short blog post examines how IP, through patents, has impacted the game of football. The specific focus will be on the effect of the Video Assistant Referee (VAR) technology, introduced during the 2018 FIFA World Cup in Russia, on the traditional footballing practices.
The IP Unit is looking for outstanding LL.B. and LL.M. students to join our team as student research assistants for 6 months, beginning 1 April 2019. Student research assistant duties will span the scholarly spectrum and can include: conducting literature reviews; creating surveys and other tools; collecting, managing and analysing data; cowriting peer reviewed articles and media materials; co-presenting findings; and managing the activities of a unit within a broader organisational structure. Student research assistants will also be encouraged and supported to conduct their own original research, under the direction and mentorship of academics based at UCT and/or other participating faculty, and could receive authorial or co-authorial credit. These activities will build academic skills like research methods, theory building, and scholarly publishing. Student research assistants will also have administrative duties within Open AIR in order to help build highly transferable professional skills such as leadership and teamwork, project management, and community engagement. Student research assistants are expected to work in the IP Unit shared office space for up to 35 hours per month at an hourly rate of R95.
If you are interested in applying for this opportunity, please provide – via email to Open AIR Project Manager Nan Warner on email@example.com – a curriculum vitae, copies of your qualification certificates and a covering letter outlining your qualifications/experience and how they would support our work. The deadline for applications is 28 February 2019. The full advertisement can be found here.
by Wend Wendland, Adjunct Professor, Department of Commercial Law, Faculty of Law, University of Cape Town, firstname.lastname@example.org, @WendWendland
An occasional blog on international developments related to intellectual property, innovation, development and public policy
The term “traditional cultural expressions” (TCEs) refers to the intangible elements of an Indigenous People’s or local community’s cultural heritage, such as music, art, symbols, narratives and performances.
For reasons well documented elsewhere, TCEs as such are treated as “public domain” and not fully protected by the conventional intellectual property (IP) system.
There are divergent views as to whether or not TCEs as such should receive IP-similar protection and, if so, to what extent.
To some degree, contemporary versions and adaptations of TCEs can be protected using existing IP systems. Depending on one’s policy objectives, these protections might be adequate.
Most countries believe, however, that a new “sui generis” system is needed.
Multilateral negotiations underway at the World Intellectual Property Organization (WIPO) are aimed at reaching agreement on an international legal instrument that would provide balanced and effective protection for TCEs.
The quest for the international protection of TCEs is significant. However, these negotiations are complex and slow-moving.
The TCEs puzzle is emblematic of the providential IP question: how to regulate the production, ownership and sharing of knowledge in ways that balances control and access, excluding and sharing, and competing and collaborating.
In strikingly similar ways to the very newest of technologies such as artificial intelligence, TCEs interrogate long-held understandings of core copyright concepts such as “authorship”, “originality” and “public domain”.
In the face of greater prioritization in IP policymaking of open access, exceptions and limitations, and a more expansive and resilient public domain, one may ask whether TCEs protection is an idea whose time has passed.
Hopefully not: international agreement that TCEs deserve some form of IP protection would be eye-openingly significant for Indigenous Peoples and local communities and for international IP policymaking. With political will and flexibility on all sides, pragmatic and win-win outcomes are possible.
The trademarking by Disney of the Swahili phrase “hakuna matata”, the copying of Australian Aboriginal art, the adaptation by Simon and Garfunkel of the folk song El Condor Pasa, and the copying by Louis Vuitton of Basotho blanket designs, are a sampling of the cases cited when conversations turn towards the misappropriation of TCEs.
Indeed, the appropriations in each of these cases seem intestinally wrong (if not unlawful, surely?).
As a result, there have been efforts over many decades to agree on international rules for the protection of TCEs.
But these efforts are proving complicated, because the cultural, economic, trade and technological issues at stake are sensitive, inter-related and impactful.
Most of this work takes place within the United Nations Educational, Scientific and Cultural Organization (UNESCO) and WIPO. UNESCO’s focus is, however, different to that of WIPO: while UNESCO addresses preservation and safeguarding (such as combatting the erosion of intangible heritage over time and reviving disappearing cultural traditions and practices), WIPO addresses legal protection, which is the protection of intangible cultural heritage against unauthorized copying, adaptation and commercial use, in other words, IP-like protection.
The focus of this blog is on the IP issues, and not on questions of safeguarding and preservation. Nor does it directly address the IP issues associated with the restitution of cultural properties or “cultural appropriation”.
CopyrightX:UCT is a member of the growing CopyrightX Community, a network of affiliated courses offered by several universities and other institutions between January and April of each year. Participants in these courses examine and assess the ways in which law seeks to stimulate and regulate creative expression. CopyrightX was developed by Professor William Fisher at Harvard Law School; it is hosted and supported by the HarvardX distance-learning initiative and the Berkman Klein Center for Internet and Society. A list of the other participating organisations and additional information concerning this educational initiative is available at http://copyx.org
CopyrightX:UCT consists of the Harvard pre-recorded lectures, accompanied by reading materials relating to U.S. and South African copyright law. Eight contact sessions will take place on Wednesdays between 13 February 2019 and 1 May 2019. The classroom seminars will discuss the pre-recorded lectures and will more closely analyse South African Copyright law and the issues faced. In 2019, we are planning to simultaneously deliver lectures online as webinars. Those who cannot attend the contact sessions in person, but want to participate in these webinars are invited to also register, subject to confirmation of online content delivery in early 2019. The seminars will be taught by Dr. Tobias Schonwetter.
The course is free of charge. Applicants must provide a motivation of approximately 400 words stating why they want to participate in CopyrightX:UCT, and how they plan on utilising their knowledge afterwards. Furthermore, applicants must make a commitment to actively participate in the course and attend the weekly seminars at the University of Cape Town.
Applications are open between now and 25 January 2019. Successful applicants will be notified by 1 February 2019.
For more info and to apply click here.
(by Eve Gray and Desmond Oriakhogba – first published for Intellectual Property Watch under Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.)
The publishing industry is making a mad dash to defeat South Africa’s adoption of a fair use rights in Parliament on Wednesday. Their latest effort includes an alarmist petition being circulated among authors. It is interesting to note that, while one of the most persistent and loud complaints in these protests has been that the drafting of the new legislation was badly handled, our perception, along with a number of experienced observers in the process, has been that the level of discussion and debate; the degree of participation and engagement of government representatives; and the consensus on the needs to be addressed, was of a higher standard and the debate much better informed than in previous such attempts at reform over the past decades. It should also be noted that, while it is true that international publishers might have much to lose in the new law, local publishers, authors and students have much to gain. It is time to lower the heat and concentrate on the facts and context of what is before Parliament.
As for the persistent complaints about the proposal to adopt a fair use regime, rather than persisting with Fair Dealing, it needs to be noted that in a digital age, this is increasingly becoming the default position internationally, as digital media demand flexibility and openness to new developments.
The written content on this website is, unless otherwise indicated, licensed under a Creative Commons Attribution-ShareAlike 3.0 South Africa Licence. [This does not apply to third-party content, eg from RSS feeds, and content in the publications section.] Your attribution must include a link to this website.